An interesting album that immediately caught my eye. In a Blue Mood is a very western title. It would fit right in with the 1950s and early 60s trend of moody jazz album covers.
So right away, you see this album is marketed to a sophisticated cosmopolitan Indian audience. Perhaps the upper middle classes, the ones who had the disposable income for record players and LPs in a country and at a time when such things were the height of luxury. A class of people who rarely went to the cinema but who loved the music. A sort of people who probably had Duke Ellington, Sarah Vaughan and Frank Sinatra records in their collections.
The color blue in Hindu color does not signify the same thing it does in English—sadness. Rather, blue is the colour of manliness and valour. Leadership. Recall the pictures of Krishna and Shiva, both often represented in blue and both icons of Hindu manliness.
But in keeping with the Western/jazz idea of blue, in this album each song is a sad one. Songs of broken hearts, tears, unrequited and rejected love. Talat Mahmood, the silky-voiced ghazal singer par excellence, renders each one with a vulnerability that you can almost touch. No one is able to voice the feelings of the dejected lover better than Talat. He conveys resignation but never bitterness; disappointment but never despair.
There are so many great tracks here but my favorite are Hain Sab Se Madhur Woh Geet (The Sweetest Song) and Sham-e-gham ki Qasm (The Sad Evening’s Promise).
01 Yeh Hawa Yeh Raat [Sangdil]
02 Main Dil Hu Ek Armaan Bhare [Anhonee]
03 Hain Sab Se Madhur Woh Geet [Patita]
04 Ae Gham-e-Dil [Thokar]
05 Husun Walon Ko [Babul]
06 Sham-e-gham ki Qasm
07 Meri Yaad Mein [Madhosh]
08 Ansu Samajh Ke [Chhaya]
09 Dekh Li Teri Khudai [Kinare Kinare]
10 Raat ne Kya Kya [Ek Gaon ki Kahani]
11 Ham se Aaya Na Gaya [Dekh Kabira Roya]
12 Main Pagal Mera Manwa Pagal [Ashiana]