Dr. L. Subramaniam and Ustad Ali Akbar Khan maestros of their respective instruments–violin and sarod–have made huge contributions to the two main branches of Indian classical music: Carnatic and Hindustani. At the same time both have adventured far beyond their own gardens, coupling, tripling and even quadrupling up with a whole assortment of jazz, rock and Western classical musicians. Along with Ravi Shankar, Dr sahib and Ustadji are rightly recognised as some of the best known Indian classical musicians in the West. Any number of albums could be suggested to you but among my favorite is Karuna Supreme an early and outstanding example of Hindustani music blended with American jazz (Ustad Ali Akbar Khan and John Handy) and Conversations (L. Subramaniam and Stephane Grappelli).
It should come as no surprise then that these two great men came together to do an ‘Inter-India’ fusion album. While sharing several commonalities like the raga (the essential musical frame for all compositions) and a similar scale (though with more semitones available to the Carnatic musician) the music of North India is very different from that of the South. So this album, originally available on cassette, is a fusion of two branches of one of the world’s oldest musical systems.
Raga Jog is sometimes known as Ragam Naat in Carnatic music. Several North Indian ragas have what you could call counterparts in the South, though to be historically accurate and to acknowledge that Carnatic music is considered to the ‘original’ Indian music, I should probably turn that sentence around. Many Carnatic ragams have Northern raga counterparts.
Raga Jog, some say can be traced back to the time of the court of Akbar the Great (15th C.). True or not, I don’t know but this raga is certainly melodious and both maestros give powerful, sympathetic performances.
I hope you enjoy this.
- Raga Jog Ragam Naatai Teen Taal (pt 1)
- Raga Jog Ragam Naatai Teen Taal (pt.2)