At the center of Punjabi cultural identity lay the tradition of what are often called ‘tragic love stories‘. These stories of star-crossed (not to mention caste and creed segregated and gender discriminated) lovers are embedded in the psyche, the art, the faiths and the languages of Punjab in a way that very few other stories or traditions in other parts of the subcontinent or indeed, world are.
It is difficult to really separate Punjabi identity from the characters-and all the things they have made to represent-of these stories. This is cultural DNA stuff, the stream from which so much else takes life.
There are many wonderful books and rich articles by the likes of Prof. Christopher Shackle (SOAS)and Farina Mir, just to name two scholars with whose work I’m somewhat familiar, that trace the origins and histories of these stories. Or in the case of Ms. Mir, how Heer Ranjha, perhaps the most popular of the tragic love stories, was used in multiple ways to promote diverse agendas in later 19th century/early 20th century Punjab. Like all good tales these stories are open to many different readings: political, social, religious, spiritual, feminist, conservative and radical.
And of course all of them have rich musical traditions as well. People have been singing about these great lovers and their travails for centuries. And today we share a fantastic collection of songs curated by the good folks of DeKulture (Jaipur) that references several of these folk tales.
The album covers a number of musical styles from dhadhi, qawwali and kafi and spotlights the artistry of a handful of lesser known (by amazing) Indian singers and musicians.
01. Dhola Maru (Vishan Das and Group)
02. Sohni Mahiwal (Sharif Idu)
03. Sohni da Ghadha (Shaukat Ali Matoie)
04. Kyon Hoon Dad Vatdayen (Gurmej Raja)
05. Tera Pyar Menu (Saida Begum)
06. Laila Majnu (Shaadi Ram)*
07. Heer Jogi (Narata Ram)
08. Mera Ranjha (Akhtar Ali)
*slight distortion at beginning