Our Beloved Khwaja: Ghulam Sabir and Ghulam Waris Nizami

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AJMER SHARIF

 

I have only visited Ajmer, India’s, and arguably the sub-continent’s most revered Sufi pilgrimage site, once. It was a quick ‘look see’ en route from Pushkar to Jaipur and a visit that frustrated more than satisfied me.   For so long I’d heard fable stories of Ajmer. The city is as central to the spiritual universe of northern India’s Muslims as Jerusalem or Rome is to Christians and Jews.   And to have but an hour to rush around was criminal.

In terms of items on bucket lists, “spending more time in Ajmer” is right near the top. [As is spending about 6 months in Karachi, but that is another tale with nothing –at this stage—at all to do with music.]

One thing I did manage to do during the abbreviated visit was scoop up a number of mp3 collections of qawwali and naat from a couple of the souvenir shops that line the main street leading to the dargah. As you can imagine the streets around the tomb are bursting with activity and rush. Qawwali is played at volumes usually reserved for rock concerts or college parties. And like those occasions, the atmosphere and music does nothing to elevate the spirit or guide the Mind to contemplate the Divine. It is crass commercialism at its most base.

But get the music out of the bazaar and on to your iPod and it’s a different story. The music is heartfelt, entirely joyous and intensely spiritual.

Ghulam Sabir and Ghulam Waris Nizami, two brothers who represent the Sikandrabad gharana of qawwali, are among the most popular singers of Ajmeri pilgrims. There is a short history of the gharana here.

In every selection on this disc the brothers sing with a passion and enthusiasm that is infectious. Their’s is a singing style for the average pilgrim, someone who has a basic understanding and familiarity with the history and vocabulary of the legends that surround Ajmer and its famous, revered Khwaja. Most of the qawwalis are panegyrical and extol the worshipper to follow the great Sufi saint’s example in all aspects of his or her life.

There is LOTS of music here. Go slow and enjoy it over time because you will be rewarded.

Allah Hoo!

Ye Karam Khwaja ka Hai

Track Listing (Part 1)

  1. Ajmeri Sarkar Se Mango
  2. Bahaki Shahe Jilani
  3. Ham Deewane Hai Waris Piya
  4. Ho Karam Ham Pe Shahe Madi
  5. Jannat Ka Dar Khula Hai Khwaja
  6. Jhume Khawaja Ke Kalandar
  7. Main Kya Batau
  8. Main Mohammed Ke Kurban
  9. Main Zuba Se Kaise
  10. Mera Peer Badshah Hai

 

GSGW1

 

Track Listing (Pt. 2)

  1. Mera Peer Tajuddin
  2. Mere Peer Tera Karam Hua
  3. Meri Duniya Tum Ho
  4. Nigaho Se Kah Do Parde Uth
  5. Rahmat Ka Samandar Hai
  6. Sabri Dar Mila Har Khushi
  7. Shahnshah Baba Tajuddin
  8. Tumhi Ho Ya Rasul Allah
  9. Wah Kya Judo Karam
  10. Waliyo Ke Shahnshah Mere
  11. Ye Karam Khawaja Ka Hai

GSGW2

Quotidian Majesty: Qawwali from Ajmer

Ajmer Sharif

Ajmer Sharif

 

Ajmer, a city in the western deserts of India, is a regional Jerusalem. A town sacred to Hindus but especially to Muslims with a mystical inclination.   Ajmer is without a doubt the most important Muslim pilgrimage site in India and draws a large number of visitors from Pakistan as well. More would come if the reality of a highly politicised border did not lay between them and the city of Khawaja Moinuddin Chisti.

 

The city was established in the 11th century by the Rajput Hindu family of Chauhans and was known as Ajaimeru.  The city it seems was established by the Chauhans as part of their alliance with other rulers to keep Arab Muslim raiders of northern India at bay; its early history was as a regional power center from which the Chauhans eventually captured most of modern Haryana up to Delhi.

 

Ironically, in one of her wicked twists, Fate has turned what started as a wall against Islam into one of the most vibrant centers of Muslim faith on the sub-continent. This is largely because this is where the 12th century Sufi teacher, Khwaja Moinuddin Chisti, settled after receiving a message from God to leave his native Persia and spread the message of Islam in India.

 

I’ve wondered about his selection of Ajmer, an apparent fortress town in the desert, as his seat of spiritual power but have so far been able to find any rationale.  But given that just 11kms further down the road is one of India’s holiest towns, Pushkar, the site of India’s only Brahma temple, I suspect that the site of Ajmer has been sacred to locals for thousands of years. Perhaps the great Sufi felt a certain spiritual energy in the place that made him stop in Ajmer.  Whatever the reason, it was from here that one of the richest forms of mystical religion and oldest silsila (order) of Sufis began to spread its influence throughout the rest of India.

 

I had an agonisingly brief visit to Ajmer late last year which whet my appetite for a longer more considered trip in the future.  One thing I did have time to do as I walked up the crowded street, full of pilgrims and tourists from all over India, toward Dargah Sharif (the Noble Tomb), burial site of Moinuddin Chisti and focal point of any visit to Ajmer, was ask a few shop keepers for a selection of local qawwali.

 

That qawwali is one of the most potent and beloved forms of worship across the northern half of the sub-continent, needs no further explication here. I’ve written about qawwali, some of its performers and forms in other places on this blog. What I want to share with you tonight is a taste of the sort of music that blasts loudly out of shops and cafes throughout Ajmer.

 

This is qawwali but not for the intellectual (Eastern or Western) critic or connoisseur.  This is qawwali performed by local Ajmeri artists who sing regularly at sacred venues around the city and farther afield. Their audience is made of pilgrims and resident adherents of Garib Nawaz (Protector of the Poor), Khawaja Piya, Waliyon ke Shahensah (Emperor of Saints) Maharaja, Ghausul Azam Hazrat Khwaja Moinuddin Chisti.

 

In response to the changing world, these artists have been recorded and their music pressed onto cheap VCDs, DVDs and MP3 discs. The bitrates are low (80-128mpbs) and the artwork garishly cool.  The language is flowery only when it refers to the Great Man or some universally understood Islamic phrases.  In the main the lyrics are simple and sung in straightforward, almost chaste Hindustani. This is music that listeners with rudimentary educations would dig and understand.

 

Subject matter centers mainly on the miraculous, splendour and glory of Khawaja Moinuddin, or, the fantastic city of Ajmer itself. Like many of the Psalms of David which extol the greatness, beauty and wonderousness of Jerusalem, these qawwalis spend a lot of time reminding their pilgrim listeners that they have experienced a truly heavenly city.  Other subjects covered in these qawwalis are quotidian like asking the Spirit of the Khawaja to secure a visa for the Haj!

 

The singing is fierce, energetic and one hundred percent heart-felt.  Arrangements have been adjusted to include a few modern electronic keyboards but in essence it is voice, drum and hand claps.

 

I’ve got about 500 tracks of such ‘latest and best’ (so assured my interlocuters) qawwalis. They are absolutely fantastic and I share a dozen of them with you tonight.

 

Ya Ali Madad!!

24 Qawal _0001

Track Listing:

01 Garibon ke Wali Yatimon ke Maula

02 Faiz-o-Karam ka Saagar Ho

03 Ajmer Madina Lagta Hai

04 Mere Khwaja Madine ki Hamein Visa Dulange

05 Bataun Kya Raaz Apne Dil Ka

06 Main to Khwaja ke Dar ka Faqir Hogaya

07 Chalo Aaj Shaadi Khawaja Piya Ki

08 Gham Sabhi Rahato Taskin Mein

09 Chalta Hai Sabir ka Sikka

10 Khwajaji Ka Jaam Hai

11 Khwaja Piya ne Ajmer Bulaya

12 To Se Lagi Lagan Khwaja Khwaja

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