My brother introduced me to Taj Mahal, the American blues guitarist, way back about 40 years or more ago. We all got a kick out of the fact that he had taken the name of India’s greatest icon even if we didn’t really ‘get’ the music he was playing. Having grown up in India with very narrow music tastes, American roots/blues was a foreign country.
But it didn’t take long to understand that here was a great musician and I’ve been a huge fan of Taj’s ever since. Like his old mate and one time Rising Son, Ry Cooder, Taj is somewhat of a musical explorer. We may consider him to be essentially a man of the blues but he’s really interested in all the streams of music that have contributed to the African American experience. Hence, he’s gone off to the Caribbean and explored calypso, slave songs and early American hill songs.
Among his most delightful albums are the ones like today’s share where he’s collaborated with non-American musicians. If you’ve not had a chance to hear his album done in partnership with the Culture Musical Club of Zanzibar you are missing a rare beauty. It is stunning.
This album, Mumtaz Mahal, was made several years before CMCZ (and just a couple after Ry Cooder‘s own Grammy-winning collaboration with Vishwamohan Bhatt) and is equally intriguing. And satisfying.
The pace and feel of this collaboration is laid back and informal. Taj is definitely the driving force. He has selected an excellent, varied set of songs from the Jamaican classic, Johnny Too Bad, to the gospel gem, Mary, Don’t You Weep to the blues standard Come On Into My Kitchen and he delivers them beautifully. You feel as if you have been invited into a small room with just Taj and a couple friends to hear the master sing from his heart. Each song is unhurried and intimate. Case in point the introduction to the final track. The singer and his accompanists, some of India’s finest, are clearly enjoying exploring the melodies and playing off each other.
Whereas his album with Cooder is orchestral in its conception and elegant beauty, on Mumtaz Mahal, Bhatt plays a more subtle role. He fills in the gaps and nudges each song along. While Taj lets loose with his voice Bhatt brings in the East reverb that somehow fits perfectly into the atmosphere.
This is a slow burner. It’s not as blood rushingly good as Bhatt’s collaboration with Cooder but it is as nuanced and beautiful filling the listener with joy and wonder and delight.
I love it. Hope you do too.
01 Coming of the Mandinka
02 Come On In My Kitchen
03 Rolling On the Sea
04 Mary Don’t You Weep
05 Stand By Me
06 Johnny Too Bad
07 Curry and Quartertones