Ishmael and Hamidullah Charikari

Temple of 'Ahmed Shauh'_ King of Afghanistan

I picked this CD up in a second-hand shop in Copenhagen.  I am not able to find much if anything about these Afghan singers, who appear to sing both in Pashto and Dari.

Charikar, from which they or their ancestors come, is a major town in the northern province of Parwan, also know as the gate to the Panshir Valley.  That valley, of course, is famous as the hideout of Ahmad Shah Massoud the Lion of the Panshir. A legendary leader of his people he struggled against the Soviets and later, his own countrymen in the form of the Taliban before being assassinated by ‘journalists’ just two days before the 9/11 attacks in 2001.

This is unadulterated Afghan folk music. There is nothing slick about it. It the raw sound of the rubab, dotaar and dafal and the keening voices of traditional folk singers.

Lovely and elemental.

Enjoy.

Sabza Narinji

Track Listing:

01 Chicha Kaku

02 Pari paikar

03 Farkhar

04 Khair Nabini (I hope no blessings come your way)

05 Sabza Narinji (Green Orange)

06 Dil Man Az Rai (My Heart is broken)

07 Tu Kuja Mirawi (Where are you going?)

08 Shomali (Northerner)

09 Jaan Mun Bala Bibin (Dear, look up at me)

10 Humdam Jani (Companion, dear)

Charikar

Aurton Apna Naam Bad Naam Na Karo

The bizaare world of Aurat Raj. When Pakistani women takeover the world!

Lolly Pops

Aurat rajAurat Raj (Women’s Rule), a passionate, frenetic and highly subversive film about a hoary social issue, the place of women in society, is an Urdu movie released in 1979.

Made by one of Lollywood’s more intriguing characters, the comedian Rangeela (Mohammad Saeed Khan), Aurat Raj is a grand statement delivered in the form of bizarre slapstick. Every comedian knows it’s all in the timing. Sadly, Rangeela misjudged his. The film was released just as President General Zia ul Haq was imposing on the country a conservative social vision diametrically opposed to the film’s message. The film was a box office dud.

As the title suggests, Aurat Raj, imagines a world in which Pakistani women wear the pants (literally) and men are reduced to hapless marionettes with little purpose beyond fulfilling the passions of their female rulers.

Soofia (Rani) is married to a despicable, violent drunkard (Waheed…

View original post 720 more words

Teri Talash Main Sadiyon Se

Latest from Lolly Pops

Lolly Pops

aar paarAar Paar (Around Here) is an Urdu film released in March 1973.

It seems to have been a B-movie going by the name of the leading players: Nisho, Shahid and Husna, a beautiful actress who was never able to break out of her ‘supporting’ roles but who, nevertheless, is fondly remembered for her contribution to the movies.

As is so often the case, the soundtrack of this commercial flop, contains some real jewels. The filmi music scene was dominated, like in India, by a solid core group of superstar music directors (arranger/composers), singers and musicians. So powerful were their perceived abilities that even second and third rate films sought them out.  It appears that producers paid big money for these magical names as a kind of insurance policy: the film may end up a flop but if we include a song or two by Noor Jehan or Mehnaz maybe we can…

View original post 340 more words

Unheard Rajasthani Music

picses

Rajasthan offers a melange of cultures, music and people. The album ‘Unheard Rajasthan’ is an effort to bring to the fore the sub-nation’s forgotten corners. The only common element that combines these corners is a heart that beats only to the rhythms of regional authentic songs.

Various cultural groups of Rajasthan in their own but multi-talented way create an atmosphere that smells of the sand of the desert.  The cultural groups such as Nayak, Meghwal, Manganiar, Langa, Meerasi, Brahmin, Khati, Jat, Harijan etc., are some of the communities whose distinctive music styles are rarely heard or exposed to the outside world. ‘Unheard Rajasthan’ is an attempt to capture the beauty of these cultures dipped in rural sensibility and bring the rare music genres such as Jangad, Chang Nritya, Pad, Bhajans etc. back into the cultural positioning of the country.

Traditionally, patronage has guided the music of this region that incorporates the sounds of folk instruments like Deru, Sarangi, Kamaycha, Tandoora, Chang, Bansuri, Chimta, Rawanhatta, Harmonium, Dholak, Khartal, Ghungroo and Manjeera amongst others.

This album is an effort to enrapture its listeners with melodies, rhythms capturing various human moods like devotional, festive, occupational and philosophical.

(Liner Notes)

Unheard Rajasthan

IMG_4695

Unheard Rajasthan back

Track Listing:

01 Dhomaldi

02Moomal

03 Nabh Kamal Vich

04 Bilyu Dhaam

05 Rasto De Shyam

06 Bagan Ka Bhawara

07 Helo Mharo Sambhlo

08 Jeera

URaj

Mujhe Dil se Na Bhulana

A rather dull story but some great music from Robin Ghosh.

Lolly Pops

ainaAaina (The Mirror) is an Urdu film released in March 1977. In total Aaina ran for 401 weeks–nearly 8 years–making it the longest running and biggest grossing Urdu film of all time. As such it is Pakistan’s only Crown Jubilee film.

Aaina is an interesting film for a number of reasons, none of which involve the plot. The story of love found, thwarted and regained is tired and predictable and forty years on makes one wonder what the fuss was all about. But move away from the narrative to the music, the direction and the acting and it is easy to see why audiences swarmed to the theatres week after week.

Though Lahore is considered the heartland of Pakistan’s film industry—hence the sobriquet ‘Lollywood’—the Punjabi capital was not the only city where movies were made. Karachi with its dramatic Arabian Sea backdrop, glitzy skyline and rich financiers was a natural…

View original post 535 more words