When I came to Amanat Ali Khan‘s music–in a time long long ago and land far far away-the first song that caught my attention was Inshaji Utho. I was completely overwhelmed with what I heard. The song seemed to have just dropped out of the sky complete and perfectly formed. It was held together and driven by a subtle synergy between rhythm, lyric and spirit. There is a world-weariness about the song. A man at the end of his journey giving in to the eternal and inevitable.
The song, I was told by everyone, had been sung in a concert just before ustadji passed away in 1974. This information heightened the drama of the song and it has been one of my favourite ghazals ever since.
Recently I came across a recording that purported to be Amanat Ali Khan‘s final concert. I quickly looked to see if Inshaji Utho was on it. Alas, it was not. But I picked up the album anyway and I share it here today. It is an excellent recording of a master singer at the top of his game. While Inshaji is missing, there are renditions of many other wonderful ghazals such as Yeh Arzoo Thi, Mausam Badla and an epic interpretation of the thumri, Piya Tore.
- Yeh Arzoo Thi
- Kab Aao Ge
- Mausam Badla
- Piya Tore
- Tum re Daras