I’m off again on an overseas jaunt and not sure what I’ll find in terms of time and internet connectivity, so before I board those silver wings, I’ll share a thirty year old record.
Ravi Shankar, who passed less than a year ago, was not just an Ambassador of Indian music to the rest of the world, he was an artist of never-ending creative curiosity. He collaborated with jazz and rock musicians as well as a number of western classical icons.
Zubin Mehta, the Indian born conductor extraordinaire, grew up in a musical environment that included his father Mehli, sitting in with many Indian and international jazz musicians in Bombay, when that sit on the Arabian Sea was a global haven for hot jazz. His father also doubled as the conductor of the Bombay Symphony Orchestra and it was in that atmosphere that Zubin fell in love with western classical music. Currently, he heads the Israel Philharmonic Orchestra as well as serving as musical director of a number of Music Festivals in Europe.
This 1981 collaboration saw Shankar compose a Concerto in four parts, each of which was based upon the structure of a particular raga. The result is quite different from his other famous collaboration with violinist Yehudi Menuhin which in essence had the two classical traditions playing side by side, but not as one. Here, Shankar’s guitar is the soloing instrument within the context of the New York Philharmonic and as such it is a much more integrated piece of music.
- Lalit (Presto)
- Bairaji (Moderato)
- Yaman Kalyan (Largo Moderato)
- Mian ka Malhar (Allegro)